![]() The purpose of the composition is to allow complex dialogue scenes to be played out without changes in camera position. The usual arrangement is for the actors to stand in an irregular line from one side of the screen to the other, with the actors at the end coming forward a little and standing more in profile than the others. A translation of a phrase from French film criticism, plan américain, which refers to a medium-long ("knee") film shot of a group of characters, who are arranged so that all are visible to the camera. American night American shotĪlso called a 3/4 shot. the Sun, Moon, lightning) or artificial light that is already being used (e.g. The term usually refers to sources of light that are already "available" naturally (e.g. Any source of light that is not explicitly supplied by the cinematographer. aerial perspective aerial shot alternate ending ambient lightĪlso called available light. the reimagining or rewriting of an originally non-film work with the specific intention of presenting it in the form of a film. adaptation The transfer of a creative work or story, fiction or nonfiction, whole or in part, to a motion picture format i.e. ![]() Any person, male or female, who portrays a character in a performance. action axis actorĪ female actor is called an actress. accelerated montage accent light acousmatic Sound that is heard without an originating cause being seen. ![]() These roles include but are not limited to the screenwriter, producer, director, and actors. above-the-line The list of individuals who guide and influence the creative direction, process, and voice of a given narrative in a film and related expenditures. Named after assistant director, Abner E "Abby" Singer, who called out the shot to give the crew extra time to prepare for a company move or wrap. Ī A roll Abby "The Abby" is the second-to-last shot. A type of motion picture that utilizes special filming techniques to create the illusion of depth perception, hence adding a third dimension. 3D filmĪlso called a three-dimensional film, three-dimensional stereoscopic film, or S3D film. ![]() If the camera moves less than 30 degrees, the transition between shots may look like a jump cut, which could jar the audience and take them out of the story by causing them to focus on the film technique rather than the narrative itself. 30-degree rule A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. Moving the camera over the axis is called jumping the line or crossing the line breaking the 180-degree rule by shooting on all sides is known as shooting in the round. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. 0–9 180-degree rule A basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. ![]()
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